Every podcast editor knows the sound of a desk thump. It is the low, booming knock that travels from the desk surface, up the mic stand, and straight into the recording, and it ruins a take every time. The traditional fix is a shock mount, a cradle that suspends the microphone on elastic bands so vibration never reaches the capsule. The Boseen shock mount is a budget take on that idea, a metal holder built for dynamic microphones in the 28 to 32 millimeter range, which covers a huge family of popular mics including the Samson Q2U, Shure SM58, and Audio Technica ATR2100. I have spent the last month recording with it across three different microphones to find out how well it really isolates noise and whether it earns a spot in a home studio.
Before the recording notes, the standard disclosure. This article contains affiliate links. Purchases through them may earn this site a commission at no extra cost to you, and that never changes my opinion of a product.
Design and Build
The Boseen shock mount is built from cast metal, which is unusual at this price point. Many budget mounts use thin plastic that flexes and sags under heavier microphones, but this one feels rigid and substantial in the hand. The cradle opens wide enough to accept microphones up to 32 millimeters in diameter, and the inner ring is lined with a soft material that holds the mic barrel without scratching the finish.
The suspension uses the standard design: an outer metal ring, an inner ring that holds the microphone, and four elastic bands stretched between them. The bands on this mount are thick and firmly attached, and they keep the inner ring floating evenly around the outer ring. The build quality of the bands matters because they are the parts that eventually wear out, and these feel like they will last through years of daily use.
The mount threads onto a standard microphone stand or boom arm through a solid screw adapter, and it holds its angle without drooping. There is a thumbscrew for tightening the pivot, and once you snug it down, the microphone stays exactly where you put it. Nothing about the construction feels cheap, which is genuinely surprising for a mount at this price.
Key Features
The core feature is vibration isolation. The elastic suspension decouples the microphone from the stand, so when you knock the desk or bump the boom arm, the shock travels into the outer ring and gets absorbed by the bands instead of reaching the capsule. In a recording, that translates to fewer low frequency thumps and rumble in the final take.
Compatibility is the second big feature. The mount accepts any dynamic microphone with a barrel diameter between 28 and 32 millimeters, which includes the Samson Q2U, the SM58, the Audio Technica ATR2100 and AT2005, the Behringer Xm8500, and the Shure PGA48 and PGA58. That covers the most popular podcast and home recording microphones on the market, so the mount is very likely to fit the mic you already own.
Flexibility rounds out the feature list. The screw adapter works with standard floor stands, desktop stands, and boom arms, and the pivot joint lets you tilt the microphone up or down to aim at your mouth. The whole assembly is compact, so it does not crowd a small desk, and it takes about thirty seconds to install a microphone.
Real-World Performance
The real test of a shock mount is whether you can hear the difference, so I ran a controlled recording test. With the Boseen mount on a Samson Q2U, I knocked on the desk directly beneath the mic stand, then repeated the same knocks with the microphone sitting in a standard clip. The difference was dramatic: the hard clip transmitted every thump as a loud, boomy impact, while the shock mount reduced those knocks to a faint, distant tap that would be easy to remove in editing.
I also tested the mount with an SM58 and an ATR2100, and the fit was snug and secure on all three. The inner ring held each mic firmly without any wobble, and the elastic bands did their job of floating the capsule clear of the stand. Even when I rapped the boom arm directly, the microphone stayed quiet, which is the strongest possible sign that the isolation is doing real work.
One honest limitation: a shock mount cures vibration, not room acoustics. It will not fix echo, reverb, or background noise, and anyone who records in a bare room still needs foam panels or a blanket. But for the specific problem of desk thumps and handling noise, the Boseen mount is effective, and in my testing it performed as well as mounts that cost several times as much.
Pros and Cons
Pros:
- Solid all metal construction at a budget price
- Fits a wide range of 28 to 32mm dynamic microphones
- Elastic suspension visibly reduces desk thumps and rumble
- Threads onto standard stands and boom arms
- Pivot angle stays put once tightened
- Simple to install and swap between microphones
Cons:
- Does not fix room echo or background noise
- Not designed for wide bodied Condenser microphones
- Elastic bands will need replacing eventually
How It Compares
The shock mount market splits into budget cradles like this Boseen and premium metal mounts like the Rode SM3 and the On Stage MY420. To see where the extra money goes, I compared the Boseen against a premium mount using the same microphone and the same test conditions.
| Feature | Boseen Mount | Rode SM3 | Standard Clip |
|---|---|---|---|
| Construction | Cast metal | Machined metal | Plastic |
| Vibration isolation | Strong | Strong | None |
| Mic compatibility | 28 to 32mm | Up to 25mm | Single mic size |
| Boom arm mount | Yes | Yes | Yes |
| Typical price | Budget | Premium | Very low |
The Boseen holds its own against the premium option in everyday use, and it actually fits a wider range of barrel diameters than the Rode, which tops out around 25 millimeters. The premium mount edges ahead on finish and precision, but for the practical job of holding a Podcast Microphone quietly, the Boseen delivers the same result at a fraction of the cost. Against a standard plastic clip, it is not even a contest.
Who Should Buy It
Buy the Boseen shock mount if you record with a Samson Q2U, SM58, ATR2100, or any other dynamic microphone in the 28 to 32 millimeter range and you want to kill desk thumps without spending a lot of money. It is ideal for podcasters, voice over artists, and streamers who work at a desk, because that is exactly where vibration is most likely to ruin a take.
Skip it if you use a large diaphragm condenser microphone that does not fit the size range, or if you expect it to solve acoustic problems like echo, because this mount only handles physical vibration. For desk recorders with a standard dynamic mic, it is one of the best value upgrades you can make. You can check the current Boseen shock mount price on Amazon before you order.
How We Test
I tested the Boseen shock mount over a month of recording, using it with three dynamic microphones: the Samson Q2U, the Shure SM58, and the Audio Technica ATR2100. I ran controlled vibration tests, knocking on the desk and tapping the boom arm with the microphone both in the shock mount and in a standard clip, and I compared the recorded audio in an editor to measure the difference.
I also checked the fit across all three microphones, tightened the pivot through a full range of angles, and left the mount installed on a boom arm for a week to confirm it held position. The broader advice on mic technique is covered well by sources like Sound on Sound, which explains why vibration isolation matters alongside proper placement. For current pricing and user feedback, the Boseen shock mount listing on Amazon is the best reference.
Questions People Ask
Will the Boseen shock mount fit a Samson Q2U microphone?
Yes. The mount accepts dynamic microphones with a barrel diameter between 28 and 32 millimeters, which includes the Samson Q2U, SM58, ATR2100, and other popular models.
Does a shock mount actually reduce noise?
It reduces physical vibration, desk thumps, and handling noise that travel through the stand. It does not remove room echo or air noise, which need acoustic treatment instead.
Is the Boseen shock mount compatible with a boom arm?
Yes. The mount threads onto standard microphone stands and boom arms through a standard screw adapter, so you can position it anywhere you need.
Is the Boseen shock mount better than a standard microphone clip?
For studio recording it is. The elastic suspension isolates the capsule from vibration that a hard clip transmits directly into the microphone body.
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